Using Batting for a backing

[Gail Marie]

I have a needlework creation that is 3 feet long and 12 inches tall. It is an alphabet done in flowers.
My idea is to use something like batting or stuffing of some sort to add a 'fullness' behind the picture to look as though it is being 'puffed' up from behind.
I'm just asking for opinions as to how to achieve this and create a soft look. I was not planning on using glass.
I would add a simple wooden frame to encase everything.
My idea is to place this above my piano.

Your input would be appreciated.

 

[Ylva]

Welcome to the G

How are you planning to keep it clean?

 

[Nikodeumus]

Welcome to the Grumble!
That's lovely needlework. Did you do that yourself?

Your idea of using batting is good. Polyester punched batting is what is recommended in most cases when an underlay is being used.

A mount board that is of a quality material should be used to secure the piece to.
Not cardboard, MDF, particle board, etc.

You can use the search function here on the Grumble to learn about lacing or pinning needlework in preparation for framing.

However, you will likely not get much support from professional framers in regards to not using glass/acrylic for covering many kinds of textile art.

Framers generally lean towards "Do nothing that may harm the art".
Uncovered textiles are at risk of all kinds of harm.
As Ylva alluded to...it will get dirty from airborne particles of dust, cleaning products, pet dander, insects, etc.

The are also discussions here of times items have been harmed by inexperienced attempts at cleaning dirtied textiles.

Not saying you have to use glass/acrylic. I know some textilers prefer not to.
There are pros and cons for each opinion.
Framers generally consider the cons as greater weight than the few pros of not protecting vulnerable artwork.

 

[tedh]

I have a needlework creation that is 3 feet long and 12 inches tall. It is an alphabet done in flowers.
My idea is to use something like batting or stuffing of some sort to add a 'fullness' behind the picture to look as though it is being 'puffed' up from behind.
I'm just asking for opinions as to how to achieve this and create a soft look. I was not planning on using glass.
I would add a simple wooden frame to encase everything.
My idea is to place this above my piano.

Your input would be appreciated.

You have a lot of hours in this piece. I’d recommend framing it with glass and Framespace to keep it looking like that. I use Groglass AR 70 to cut glare, and it’s really clear.

 

[clare]

I prefer lacing needlework, and suggest an 8ply rag mat with the needle punched poly batting suggested by @Nikodeumus. You could do one or two layers depending on how pillowy you want it to look. Also very much recommend a glass over it to keep it clean and safe from bugs, fading, and pollutions.

Do a YouTube or Grumble search on how to lace needlework. And, welcome! -clare

 

[Rick Granick]

I second Clare's suggestion but would add that you should be sure, as Ted suggested, to use spacers that keep the glazing from resting against the surface of your needlework- especially with the dimensionality added by the batting.
Rick