Rob Markoff
PFG, Picture Framing God
For those who are mixing Rice/Wheat paste on a regular basis, what is your protocol?
I was reading a few conservation supply catalogs and both mention that the cooled, cooked starch should be put through a fine strainer and then cut by 50% to make a workable paste. I have never used a strainer as part of my paste making regimen and wonder what others are doing?
What is your cooking setup? I have a hotplate and a use a single egg poacher/double boiler because I only mix up a small batch at a time, usually one level teaspoon of rice starch to 6 teaspoons of water- but my poacher is aluminum and after years of use is pretty grody. I found a new steel one online with a teflon coated bowl, but before I bought it, I thought I would see if there are other techniques that may be better.
The problem I have found with larger double boilers is that they have such a large surface area and I need to increase the amount of paste I am making so it isn't "lost" in the cooking process.
Please don't reply that you use Hayaku and don't need to mix paste. The water activation of Hayaku is not as controllable as mixing your own paste and you are limited to the size and type of paper that the glue is impregnated on. I have had "bad" rolls of Hayaku, and lately, all of my rolls are "yellowish" in color. It works fine for "general" hinging, but is unreliable for floating and especially on heavier, more valuable pieces of art I want a heavier bodied paper. I want to know exactly what I am hinging with and control the size and type of hinging media I use.
I was reading a few conservation supply catalogs and both mention that the cooled, cooked starch should be put through a fine strainer and then cut by 50% to make a workable paste. I have never used a strainer as part of my paste making regimen and wonder what others are doing?
What is your cooking setup? I have a hotplate and a use a single egg poacher/double boiler because I only mix up a small batch at a time, usually one level teaspoon of rice starch to 6 teaspoons of water- but my poacher is aluminum and after years of use is pretty grody. I found a new steel one online with a teflon coated bowl, but before I bought it, I thought I would see if there are other techniques that may be better.
The problem I have found with larger double boilers is that they have such a large surface area and I need to increase the amount of paste I am making so it isn't "lost" in the cooking process.
Please don't reply that you use Hayaku and don't need to mix paste. The water activation of Hayaku is not as controllable as mixing your own paste and you are limited to the size and type of paper that the glue is impregnated on. I have had "bad" rolls of Hayaku, and lately, all of my rolls are "yellowish" in color. It works fine for "general" hinging, but is unreliable for floating and especially on heavier, more valuable pieces of art I want a heavier bodied paper. I want to know exactly what I am hinging with and control the size and type of hinging media I use.