Types of Mulberry Paper

Shayla

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I usually make mulberry hinges with Yukyu-Shi mulberry paper, then cross hinge with the Lineco Mulberry paper from LJ. I love Yukyu-Shi, which is snow-bleached and wonderful to use, and even though it's spendy, it really doesn't amount to munch per hinge. So far, I've just carried it, in a few different weights. That said, I just contacted a NY gallery that works on high-end art, and they suggested using Okawara to hinge art on photo paper. It costs about a fifth of what Yukyu-Shi costs, so if it's good quality, I'd stock both.

I have no clue about papers, so how do the various types of mulberry paper compare? Are they pretty much all the same quality, as far as protection goes? I can see from using it that the fibers in Yukyu-Shi are much longer and easier to feather than in the Lineco. When I wet it with a water brush, to tear, it makes beautiful feathered edges. Years ago, what LJ sold did that, too, but then they switched, and now, it's much denser. Fine for cross-hinging, but not for tearing hinges. I'd like to know which papers have long fibers and feather well, and which are more short and blunt, like the fibers in the Lineco. Thanks. :)
 

JFeig

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I did a quick view and noted quite a difference in sheet size. That might answer the price difference somewhat, 950 sq inches vs 192 sq inches, about 5x. Note that your favorite comes in 4 difference thicknesses(weights).
 

Shayla

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Thanks! I'm also wondering what weight most folks use for hinging heavy watercolors on rag paper. The heaviest I've stocked is 57 g/m2, but it looks like they go even higher. Seems like at a certain point, it would be too bulky and not bendy enough., What the heaviest that most folks use for hinging?
 

Bruce Papier

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I used both Kozo White and Senka-Shi from Hiromi Paper. I used the Kozo on pieces which were both thin and white. The Senka-Shi comes in a few different weights and is made a little differently in that it is two thinner sheets combined, so it is a little stronger given its weight than other papers. It is slightly off white, so I didn't use it on pieces printed on white paper if I thought the hinge would show through.
 

monkframe

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I bought my several weights of paper from Flax, formerly of San Francisco and now in Oakland. I specified acid-free and that cut the selection way down.
I usually try to match color and weight w/the article I'm hinging. Sorry, don't know names of the papers.
 

monkey

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After last week I will no longer be hinging artwork with the Lineco Mulberry Hinging Paper, 52 gsm. I hinged a 24 x 30 pastel drawing with the Lineco Mulberry hinging paper and wheat starch paste, 3 across the top. The next day I tapped the mounting board the pastel was hinged to on the floor to shake off any loose pastel before fitting and 2 of the hinge paper immediately tore. I should not have torn that easily, especially for 52 gms.
 

Shayla

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After last week I will no longer be hinging artwork with the Lineco Mulberry Hinging Paper, 52 gsm. I hinged a 24 x 30 pastel drawing with the Lineco Mulberry hinging paper and wheat starch paste, 3 across the top. The next day I tapped the mounting board the pastel was hinged to on the floor to shake off any loose pastel before fitting and 2 of the hinge paper immediately tore. I should not have torn that easily, especially for 52 gms.
I tried using their pre-pasted mulberry hinging paper about a dozen years ago. But, it was so unpredictable, I quit. Which is a good thing, as ever since I've mixed starch and ordered from Hiromi. Even their spendiest papers amount to very little per hinge, and the quality is great.
 
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