This customer wants her fabric art stretched and hung on the wall with no frame.
I told her about the importance of glazing to protect from fading, but she's a quilter
and wants it done as is. It's very lightweight material, but she's appliqued extra
fabric and some beads on the front. I'm familiar with the lacing method and we
also have an Attach-Ez, but I'm not sure what method would be best. At about 33
x 43 inches, it's larger than what we usually stretch, and because it won't go in
a frame, I'm wanting a backer that won't warp once it's on the wall. The things
I've thought of so far are two layers of foam core, mounted together, two layers
of coroplast mounted together (but that would preclude using an Attach-Ez, and
ditto if I tried Gatorboard?). Or, something else that I'm not familiar with. She
said a quilting friend suggested having it stretched on a frame, and but it's too
light for our usual stretcher frames. I'd appreciate any helpful suggestions.
I told her that whatever we do, I'd want to put a thin layer of batting behind it,
and perhaps tack down a number of places in the middle to help keep it from
sagging. She's worked for four years on it, and she said she brought it to me
so it would be done right. One of those jobs that feels scary, and I want it to
be perfect for her.

I told her about the importance of glazing to protect from fading, but she's a quilter
and wants it done as is. It's very lightweight material, but she's appliqued extra
fabric and some beads on the front. I'm familiar with the lacing method and we
also have an Attach-Ez, but I'm not sure what method would be best. At about 33
x 43 inches, it's larger than what we usually stretch, and because it won't go in
a frame, I'm wanting a backer that won't warp once it's on the wall. The things
I've thought of so far are two layers of foam core, mounted together, two layers
of coroplast mounted together (but that would preclude using an Attach-Ez, and
ditto if I tried Gatorboard?). Or, something else that I'm not familiar with. She
said a quilting friend suggested having it stretched on a frame, and but it's too
light for our usual stretcher frames. I'd appreciate any helpful suggestions.
I told her that whatever we do, I'd want to put a thin layer of batting behind it,
and perhaps tack down a number of places in the middle to help keep it from
sagging. She's worked for four years on it, and she said she brought it to me
so it would be done right. One of those jobs that feels scary, and I want it to
be perfect for her.