sandy aftermath

Rebecca

SGF, Supreme Grumble Framer
Joined
Feb 28, 2002
Posts
3,338
Loc
Vancouver, B.C., Canada
Happy to give recovery advice or help direct people with damaged art etc to appropriate helpers. There was a call out for help from NYC based conservator who said Chelsea district is particularly hard hit, but I am sure others are as well.
On a happier note, my parents in Rockland County NY just got their lights back on :)
 
Nice that you are offering Rebecca, but you know that people are going to wait on repairing their artwork until it is nicely moldy and far gone in ripples. I hope that your offer will be able to help someone's artwork.
 
Yanked from ikono.org (who had the most info):

Helping Out New York – The Collection Emergency Response Team is on the way
Posted November 1st, 2012 filed underCollections, News, USA.
New York’s art world still counts the damage done by Hurricane Sandy. Galleries have been damaged by rising water and sculptures hit by the destructive weather – resulting in thousands of dollars’ worth of damage.
“We’re expecting a whole lot of damage to be reported for weeks ahead.” Eric Pourchot, director of institutional advancement at the American Institute for Conservation, told The Guardian: “We came about as a result of Katrina and have put much effort into educating instututions to prepare for the worst in advance of destructive weather and many collections were moved inland, indoors or upstairs. Meanwhile our Collections Emergency Response Team has had a 24-hour helpline, but I understand people have been having trouble getting through.”
More about the damage done and the situation in the Chelsea gallery district at The Guardian and The New York Times.

Christie’s Reaches Out to Downtown Artists/Galleries
Sara Friedlander, Associate Vice President, Head of First Open at Christie’s in New York, says that the auction house would like to offer a helping hand to downtown artists or galleries who may need help. “We believe the art world is an ecosystem and what is happening downtown effects uptown,” she says.
Friedlander is arranging space at Christie’s for artists to use their laptops and charge their phones, and may be able to assist galleries with storage space for their art. Those interested, please call (212) 468-7177.

Help with Art Conservation & Recovery
The AIC-CERT program (CERT stands for Collection Emergency Response Team ) has a help number, (202) 661-8068, and email, info @ conservation-us.org, that can aid any institution, organization, collectors, or artists who were impacted by Hurricane Sandy.
The following is the information in their “Resources for artists and galleries affected by Hurricane Sandy/ AIC-CERT” that they have begun circulating:

*****Do not throw damaged art away without first consulting a conservator!*****

Sources of assistance for artists and galleries:
Craft Emergency Relief Fund (CERF): www.craftemergency.org, 802-229-2306
New York Foundation for the Arts: www.nyfa.org
AIC’s Find a Conservator service: http://www.conservation-us.org/index.cfm?fuseaction=Page.viewPage&pageId=495
ArtsReady Useful Links: https://www.artsready.org/page/useful_links
See especially the links to funding for emergency relief.
Disaster response resources and salvage guides:
AIC: http://www.conservation-us.org/index.cfm?fuseaction=page.viewPage&pageID=593 (www.conservation-us.org/disaster)
NCPTT, Wet Recovery resources: http://ncptt.nps.gov/wet-recovery/
Heritage Preservation: http://www.heritagepreservation.org/PROGRAMS/TASKFER.HTM
Connecting 2 Collections forum on disaster recovery: http://www.connectingtocollections..../forum/topic/storm-damage-assistance#post-627

About AIC-CERT
Mission: The mission of AIC-CERT (American Institute for Conservation Collection Emergency Response Team ) is to respond to the needs of cultural institutions during emergencies and disasters through coordinated efforts with first responders, state agencies, vendors and the public.
In 2007 the Foundation of the American Institute for Conservation Historic and Artistic Works (FAIC) received funding from the Institute for Museum and Library Services to develop a series of advanced workshops to train conservators and other library and museum professionals. These dynamic and highly successful workshops produced a group of 61”rapid responders” who are trained to react to disasters.
AIC-CERT began in part as a reaction to hurricanes Katrina and Rita, which struck New Orleans in the summer of 2005. Conservators possessed the much-needed expertise to save collections, but the administrative structure to coordinate the distribution of those skills was lacking.
 
Rebecca,
We are very close to NJ. We're putting out our monthly newsletter. I put in for folks to call me asap if they had water damage to their art or photos and I would direct them to the proper channels. Is there anything else that you would mention in general?
Thanks,
Susan
 
Bump. :thumbsup:


This is a very kind offer, and for any who might not be aware of it, Rebecca herself is a conservator.
 
If people are in NYC this is happening: The AIC-CERT group and the New York Alliance for Response will be holding a Hurricane Sandy Disaster Relief Q & A session at the Museum of Modern Art. Head to the Celeste Bartos Theater from 12 to 2 this coming Sunday - November 4th. Please spread the word to artists, galleries, historic sites, and small museums that may have been impacted. All conservators are strongly encouraged to attend to help participate in the discussion.

Cynthia Albertson, Assistant Conservator, MoMA

05 posted some good links, also
http://cool.conservation-us.org/bytopic/disasters/ (he may have posted this one).

Generally the steps are:

making sure people safe and building is safe to enter
contacting insurance agents, restoration companies

if building is safe and water is the issue the restoration companies (if you are lucky they are surely busy) or individuals can
repair building envelope even if only temporarily with tarps etc. to keep rain out
pump out standing water
get industrial dehumidifiers and fans going to keep air circulating (but don't direct fans directly on items being dried). These will be in high demand I'm sure, so improvise as possible.

Prioritize

If there is no electricity you may be able to move damaged items to another location where they can be dried out.

Set up work area and organize assemply line style systems to dry and wick out water from porous materials like paper and textiles- unprinted newsprint, paper towels etc., changing the absorbing materials as needed and removing saturated paper towels etc. from the room as they become damp. Drying frames can be made by stretching nylon netting or other to aid in the process. Unframe framed items if possible (not sticking to glass) to dry out. Separate photos and other items whose surfaces soften with water if possible.

Paintings can be tilted against walls, (perhaps on blocks to keep off floors) keeping away from heat/ fans etc. so drying is slow and even.

Books stood upright and pages fanned out - interleaved if possible, changing interleaving when needed. Books with coated (glossy paper) are the most vulnerable as if they are soaked and dry with pages together the pages can't be separated. If they can't be dried with pages all fanned out, they are best wrapped and frozen. Later sublimation freeze drying can often save them.

Freezing buys time from mold damage if things can be wrapped or bagged and one has access to freezer.

Every situation will be different so these are just general guidelines. I haven't been specifically trained for disasters, and have limited experience with big ones (more ceiling leaks, broken pipes) but breaking things down into steps helps.

AIC has sponsored training in disaster recovery however, and will have a list of conservators who have been specifically trained. As I recall, one of the conditions of taking the training was to be available when disaster strikes, so there should be resources. And I know at least one private conservator who is trained in New England, and can give her contact info if it is needed.
 
Oh, and if you have electricity and a dryer, towels/mattress pads, cotton blankets can be used to wick water away from wet items, dried and reused. I never tried it, but one might be able to dry paper towels in the dryer too...especially if one has those nifty woolzies http://www.woolzies.com/ (not a plug, I just like them personally).
 
I wouldn't suggest trying that 'paper towel in the dryer' thing. My mom tried it once with a box
of rectangularly shaped feminine protection products that had been soaked by a leaky sink and
she spent a miserable chunk of the afternoon picking the partially scorched, disintegrated remains
out of the dryer assemblage that it had been sucked into & packed all around. I won't post the
humorous end of that event here, as it's a serious thread, but seems to me that drying paper towels
would result in something even worse.

Any framers who live in afflicted areas might try to inform the public that the sooner they get their
damaged heirlooms in for help, the better chance of saving them. With such devastation at hand,
this is surely down the list a ways for most people, but perhaps sending a press release to the
local paper would result in getting a blurb published on the topic. That could only be good all the
way around, and it might reach people who aren't already shop regulars.
 
Ooh Shayla..destruction to the max(i)! Sorry,someone woulda gone there,may as well been me. Back on topic. Any truth to the " put waterlogged paper media in the freezer,if you can't reach a conservator quickly" school of thought? Our state archives gave this advice after massive river flooding a few years ago. L
 
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I just got back from an amazing vacation in Florence, Italy. In 1966, there was a devastating flood that caused all kinds of damage throughout the area. In particular, a beautiful (and very large) painting by Bronzino (http://www.florence-journal.com/florence/2007/01/bronzino_the_de.html) was severely damaged in the flood. It has since been painstakingly restored, and now hangs in splendor in Santa Croce. The painting was amazing to begin with, but the restoration is a story all in itself. Seeing is believing.

By the way, the Uffizi is the only museum I've ever been in where the placards describing each painting also describe the frame.
 
Ick Shayla! I was thinking delicate cycle, but will test it out and report back - for paper towels only!

Yes, freezer will buy time if things are packed or wrapped for protection. Books that are have been tightly packed in bookcase, and are wet, are best kept under pressure and frozen, to be dried out later in professional freeze dryer unit (there are companies that specialize in this). This will reduce "page fluff" or rippling.
 
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