Phoneguy
MGF, Master Grumble Framer
Last night I took apart a LE edition print (The Salmon, Sue Coleman) that my wife and I bought on our honeymoon ('87) and had framed shortly after.
Paper mats, regular glass, metal frame. The mats were faded, the glass had a small crack in the bottom. There is also a bit of acid / UV burn showing on the white border that was left exposed to show the signature / numbering.
The first thing I noticed was masking tape, but fortunately it was not in contact with the print. There is some kind of white paper hinge attached to the print. I would think it was a kind of "tape", the masking tape helped secure the hinge to the backer board.
So on to my question. Should I try and remove the old hinge before I redo the job? I cut away the loose pieces of hinge. I tried a little heat but it did not move. It occurs to me that the mat package will cover the remanents anyway so why take a chance of doing more damage? I have not tried water yet, but that would be next.
{My wife and I really struggled with new mat colours too. She definately did not want to go with the muddy blues that were originally used. The print cries for those colours. I think we have settled on blue grey and silver tones. Man, she is probably my toughest customer, and she expects it for free!}
What do you think?
Thanks
James
Paper mats, regular glass, metal frame. The mats were faded, the glass had a small crack in the bottom. There is also a bit of acid / UV burn showing on the white border that was left exposed to show the signature / numbering.
The first thing I noticed was masking tape, but fortunately it was not in contact with the print. There is some kind of white paper hinge attached to the print. I would think it was a kind of "tape", the masking tape helped secure the hinge to the backer board.
So on to my question. Should I try and remove the old hinge before I redo the job? I cut away the loose pieces of hinge. I tried a little heat but it did not move. It occurs to me that the mat package will cover the remanents anyway so why take a chance of doing more damage? I have not tried water yet, but that would be next.
{My wife and I really struggled with new mat colours too. She definately did not want to go with the muddy blues that were originally used. The print cries for those colours. I think we have settled on blue grey and silver tones. Man, she is probably my toughest customer, and she expects it for free!}
What do you think?
Thanks
James