Question Matboard Color Variations

Bruce Papier

SGF, Supreme Grumble Framer
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Apr 25, 2011
Posts
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We have been having problems with both Crescent and Bainbridge paper mats not being the same color as the samples. (We have new samples for all.) Both companies and some sales reps have put forth the theory that mats get lighter when exposed to light and discolor in various ways just sitting in storage. My problem with that theory is our matboard generally isn't sitting in storage very long. Anyone think this theory is true?

Secondly, do any of you have a favorite sawblade for the Pistorius 12" double miter saw? We have tried a number of different brands and have yet to find one that cuts gessoed mouldings very well without going dull quickly.

Thanks for your input.
 
Secondly, do any of you have a favorite sawblade for the Pistorius 12" double miter saw? We have tried a number of different brands and have yet to find one that cuts gessoed mouldings very well without going dull quickly.

Thanks for your input.

Quinn Saw is one of the Grumble sponsors. Their blades are as good or better than anything I have owned over 3 decades. Prices are much lower than the most common name brand blades. I have purchased 8 of them in the last year to replace very expensive blades.
 
Yes, matboard change color with exposure.
No, I don't believe it's the only variance, nor do I believe it's the cause of your problem.

I have actually purchase 2 boards of the same # and color and had them come in with a variance.

I believe there are relative large batch differences as well as color shifts caused by time.

I recently was trying to match a mat on a frame for a customer. When I took it apart, the number was on the back. My sample for that mat didn't come close. A different mat # was much closer to the one on the customer's frame.
It was a "white."

Tell your reps that's only part of the problem. They have significant batch variation in color, no matter what they say.
 
Ditto to Cliff Wilson

We have seen the same from Artique, Bainbridge, and cresent. I really believe it is a manufacturing issue not coming close to the original sample color when they have a production run. I have seen mats that have faded or discolored due to age and there are usually some signs of the aging but the problem we have seen is entire sheets that have none of the aging signs.
 
A few observations...

Matboard manufacturers buy colored top papers, core papers, and backing papers from paper mills in large rolls, and laminate them together to make matboards. Our matboard makers do not impart the color to the papers.

About 200 North American paper mills have closed in recent years, so all of our matboard manufacturers (as well as other users of paper) have had to establish business relationships with new suppliers recently. And, because paper making is a complex process, the buyer needs to be directly involved. It's not only a matter of negotiating a price and placing an order, it's a relationship that requires constant monitoring.

At the paper mill (not the matboard maker) a color is mixed, typically from three or more pigments/dyes. The batched mixture is added to the paper as it is produced in a continuous process. For some mysterious reason, the color tends to be lighter near the end of a production run, even though the pre-mixed color all comes out of the same vat. They call it "color drift". To counteract this phenomenon, a production employee has to monitor the color and make adjustments on-the-fly during production. So, aside from specifying the colors they want to buy, matboard manufacturers have to continuously monitor the colors being produced for their papers by the mills. If the buyer becomes lax, the supplier becomes careless.

Matboard colors usually consist of three or more pigments or dyes. Any variances among them compound the problem of color variations in the final product.

For museum-grade/conservation matboards made of alpha cellulose, the colors are typically produced from pigments that are chemically stable and resistant to light damage. However, the colors of white-core and regular wood-pulp matboards typically are produced from cheaper pigments or dyes that are less stable over time. These cheaper mats might show color deterioration soon, not only from light exposure, but also from chemical reactions with the paper over time.

For color variation issues, the best solution is to buy the best matboard from a manufacturer that buys the best papers from the best paper mils, and monitors their production process most carefully. That's one of the reasons I buy only alpha cellulose matboards made from purified pulp or cotton, and prefer those made by a smaller manufacturer, where the principle owner is closely involved in the process.
 
I had an experience with a matboard color shift (actually I've had several, but this one comes to mind). I contacted the manufacturer and sent them samples. It turns out that the reason for the "color shift" is that the mfr had to switch facing paper manufacturers, and when it came time to match colors they only did the match under one illuminant (6500K, I believe). Sure enough, I noticed that the old and new boards looked nearly the same in my back room (cool fluorescent lighting), but much different in the showroom (mixed lighting, generally warmer)
 
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