Pictured below is frame with a finish we call French Pale. You might notice in museums that they have many different types of French frames but there are also just as many different finishes. You can see many examples of this at the Metropolitan Museum of Art. At C&J we have our standard French finish but customers were always requesting different variations of it. Because of this we decided it was time to add a variation of the French finish to our line. We wanted a warmer finish that would have the look of some of the frames we saw at the museum. On old frames the natural aging of the wood will leave cut marks in the gold. We emulated these cut marks with a razor blade. The frame has a yellow bole and we went heavier on the red highlights so all the rubbed areas of the frame would show more red than yellow. The panel of the frame has only yellow clay. Although it is not rubbed, the yellow clay gives the gold a slightly different tone which makes the panel contrast nicely with the rest of the frame. This particular moulding is not hand carved so we spray it with extra gesso which helps to cover any imperfections and adds to the aged look of the frame. Even though this frame has compo, if it is joined correctly you get a similar look to a hand carved frame for less cost. Hand carved frames always have more personality but some compo styles can work very well and we feel this is one of them.
The frame is finished with a pale wash during the final toning steps. The result is a finish that works with some of the artwork that our standard French finish was just too bright for.
http://www.youtube.com/watch?v=WellS1XCHCk&feature=channel_page
The frame is finished with a pale wash during the final toning steps. The result is a finish that works with some of the artwork that our standard French finish was just too bright for.
http://www.youtube.com/watch?v=WellS1XCHCk&feature=channel_page

