realhotglass
MGF, Master Grumble Framer
Hey all,
Sorry in advance for the long-ish post.
I refer back to this thread re FACTS . . . went into UV glazing.
http://www.thegrumble.com/showthread.php?t=45821
And sorry Jim, I think I missed your post below, but this encompasses the gist on my inquiry today. See your quoted below . . .
Ok, I have read here (I'm almost sure) on the G that some industry body of significance sets minimum 97% UV block for conservation glazing, but all I can find is this on the FACTS site, stating min 70% . . .
http://www.artfacts.org/standards/glz_2001.html
Section 6.00
I am currently trying to convince Schott to look at increasing their UV block on at least one of their Mirogard products (besides Protect, their premium, very costly, laminated).
Say on Mirogard Plus (currently 84%) to 98% or 99%.
Maybe it was the PPFA only that had the higher level recommendation for protection ?
If anyone can refer some links to this or other info, that would be great.
Would like to let them see some industry leading recommendations for higher level blocking.
If FACTS are indeed stating (only) at least 70%, and PPFA and TruVue are at minimum 97%, then maybe I only have PPFA to refer them to.
(TruVue obviously have a vested interest in the higher figures.)
Schott are hesitant to consider such a change for the very small Aus market, but I have mentioned to them several times that the US market almost demands 97% or better to be considered conservation standard.
Apparently, there is no such push from the European markets for higher than Schotts 84%, but from my observations the UK framers are getting very aware of UV protection, and they generally get pushed into higher levels.
I am just wondering now what is right . . . maybe it's just TV pushing the higher level, and the PPFA picking this up from there.
I mean, why wouldn't TV state that 97% + protection is needed knowing that you have the only viable option cost wise and with the distribution in that range ?
Oh, Jim.
I think you are right re the % avg . . . most refer to 380nm as their upper threshold of protection, even there the colour shift is starting to have an effect.
My coating is 95% in the 280 - 380nm range, maybe I should have it tested to 300 - 380 sometime and see what the difference is.
It is clearer on white paper than both TV and the old Guardian UV (ArtGuard).
Look forward to some links, and who knows, there might be some more meaningful competition some day in optical coatings ?
Regards,
Les
Sorry in advance for the long-ish post.
I refer back to this thread re FACTS . . . went into UV glazing.
http://www.thegrumble.com/showthread.php?t=45821
And sorry Jim, I think I missed your post below, but this encompasses the gist on my inquiry today. See your quoted below . . .
Actually, the FACTS glazing standard called for 50% UV blocking in the frequency range of 300 to 400 nanometers. I'm not sure it was right when it was written.
UV blocking specifications would be difficult to compare when they include different ranges of light frequency. The only glazing specifications I've studied are from Tru-Vue. Their UV-blocking tests are in the frequency range
of 300 to 380 nanometers. They and PPFA call for 98% blocking in that frequency range.
Since (for "conservation" glazing) there is a very steep curve of light transmission from almost zero to almost 100% between 380 and 400 nm, most of the UV light between 380 and 400 nanometers probably would be transmitted and not blocked. So averaging for that 20 nm wider frequency range, from 300 to 400 nm, would drag down the average percentage of UV blocking.
I'm not sure, but maybe an average of 70% UV blocking in the range of 300 to 400 nanometers would be roughly the same as an average of 98% in the range of 300 to 380 nanometers.
Maybe RealHotGlass can set us straight on this.
Ok, I have read here (I'm almost sure) on the G that some industry body of significance sets minimum 97% UV block for conservation glazing, but all I can find is this on the FACTS site, stating min 70% . . .
http://www.artfacts.org/standards/glz_2001.html
Section 6.00
I am currently trying to convince Schott to look at increasing their UV block on at least one of their Mirogard products (besides Protect, their premium, very costly, laminated).
Say on Mirogard Plus (currently 84%) to 98% or 99%.
Maybe it was the PPFA only that had the higher level recommendation for protection ?
If anyone can refer some links to this or other info, that would be great.
Would like to let them see some industry leading recommendations for higher level blocking.
If FACTS are indeed stating (only) at least 70%, and PPFA and TruVue are at minimum 97%, then maybe I only have PPFA to refer them to.
(TruVue obviously have a vested interest in the higher figures.)
Schott are hesitant to consider such a change for the very small Aus market, but I have mentioned to them several times that the US market almost demands 97% or better to be considered conservation standard.
Apparently, there is no such push from the European markets for higher than Schotts 84%, but from my observations the UK framers are getting very aware of UV protection, and they generally get pushed into higher levels.
I am just wondering now what is right . . . maybe it's just TV pushing the higher level, and the PPFA picking this up from there.
I mean, why wouldn't TV state that 97% + protection is needed knowing that you have the only viable option cost wise and with the distribution in that range ?
Oh, Jim.
I think you are right re the % avg . . . most refer to 380nm as their upper threshold of protection, even there the colour shift is starting to have an effect.
My coating is 95% in the 280 - 380nm range, maybe I should have it tested to 300 - 380 sometime and see what the difference is.
It is clearer on white paper than both TV and the old Guardian UV (ArtGuard).
Look forward to some links, and who knows, there might be some more meaningful competition some day in optical coatings ?
Regards,
Les