Good morning, Ron!
My "objection" to the current and past documents is that I feel some parts of them are nearly impossible for the majority of framers to comply with.
For example, under Max. Pres. 10.00 Spacing, 10.01 .... this separation shall be great enough to allow for the normal expansion or bowing of the artwork. This item is a "shall", which is defined in the terminology that it is a mandatory provision. Hence, if a framer states that they are framing to the provisions of the document, then they must be able to ascertain the normal expansion or bowing of each and every piece of art they frame.
I approached the documents thinking that if I didn't know an answer, that I should be able to find one, or at least find out enough information that I could make a reasonably informed decision. I assumed that the reference materials for the documents might be a source. I looked at other exisiting FACTS documents to see if they dovetailed into the ones we were working on. I approached other framers on some points, and ran them by technical service people to see if answers were reasonably available.
In the end, on certain points, I felt that the requirements of the documents were too far beyond the ability of most framers. On a couple of points, I feel that the documents need further explanation (i.e. FRM 2000 -13.02 - for conservation display, light should be low, with a minimum in the uv range - I would like to see low light defined by something like x amount of foot candles, or the hallway without windows or skylights, or something.) If it is too difficult, too hard to understand, or makes cumbersome demands on the typical framer, I feel that it is unlikely that the documents will be a useful tool.
I have worried about two points I have mentioned before - the always fully inform the client part, and the part about the end user having to determine if the product meets FACTS standards.
Most of the documents simply mirror what has been published and talked about in the industry for a long time, using a different format to present that information. I don't know who wrote the initial documents. We received the documents in a form that is quite similar to what you see now. What we did was suggest changes or clarifications on each pass.
The GAFP project was initially publicized as an idustry wide effort to develop and establish comprehensive information relevant to the framing, display, and care of artwork.
Because so few people worked on the documents, I would have felt more confident in them if they had been circulated around the industry for 3 months before they were finalized. So, yes, Ron, I guess that I think that it would have been a good idea to have had the "framers of the world" vote. Perhaps if this had been done, there would be less arguing about them today.