tedh
SPFG, Supreme Picture Framing God
OK, so those of us in the art business are trying to survive the perfect storm: a bad economy, increasing Internet sales, and the rise of the BBs. Buyers want to spend less, and when they have the money, they buy online and from furniture stores, home decor stores, and Walmart. Here are my assumptions:
- high-end art is dead-end art. I don't want to be in this space, because I want to eat;
- low-end art is from China;
- art.com stuff is easy to beat on price;
- there still is a future in selling art, because all those other sources are still in business;
- small independents like you and I have to fight back.
- I've seen signs of life in this business: the young crowd is buying youth-oriented art - deviantart.com and eyes on walls are examples. Older buyers are still out there as well, and we are seeing them come back more and more. They are hard to please, and require top-notch service and bottom-notch prices.
So here's what I'm thinking: fight them all on price by copying what they do, and do it better. Art laminated on board with plastic frames that look good; box-buying; find the highest online prices you can, then discount off these; only display the current best-sellers from our publishers. Encourage immediate impulse buys.
I've experimented with these principles, and they work. I took a range of Vanscoys, lammed and framed them, and repeatedly sold them out. Did the same with other misty landscapes. The average sale was lower, but the margins were higher, and the volume was consistent.
What does not sell? limited editions, consignments, and traditionally-framed prints (mats and glass). Remember that there's a race to the bottom: there's no limit to how little people want to spend. The most common price point I've seen is $150, so we target less than keystone - way less. It's not how I'd like to see the business evolve, but that's life.
Customer behaviour: cheap and disgusting: constantly seeing people bringing in Walmart carp and asking us to cut mats to fit the art and that carp. Constantly asking for a deal. Showrooming. Walking away from what we think is a serious discount. Asking us to sell their old, worn-out, faded junk.
Comments?
- high-end art is dead-end art. I don't want to be in this space, because I want to eat;
- low-end art is from China;
- art.com stuff is easy to beat on price;
- there still is a future in selling art, because all those other sources are still in business;
- small independents like you and I have to fight back.
- I've seen signs of life in this business: the young crowd is buying youth-oriented art - deviantart.com and eyes on walls are examples. Older buyers are still out there as well, and we are seeing them come back more and more. They are hard to please, and require top-notch service and bottom-notch prices.
So here's what I'm thinking: fight them all on price by copying what they do, and do it better. Art laminated on board with plastic frames that look good; box-buying; find the highest online prices you can, then discount off these; only display the current best-sellers from our publishers. Encourage immediate impulse buys.
I've experimented with these principles, and they work. I took a range of Vanscoys, lammed and framed them, and repeatedly sold them out. Did the same with other misty landscapes. The average sale was lower, but the margins were higher, and the volume was consistent.
What does not sell? limited editions, consignments, and traditionally-framed prints (mats and glass). Remember that there's a race to the bottom: there's no limit to how little people want to spend. The most common price point I've seen is $150, so we target less than keystone - way less. It's not how I'd like to see the business evolve, but that's life.
Customer behaviour: cheap and disgusting: constantly seeing people bringing in Walmart carp and asking us to cut mats to fit the art and that carp. Constantly asking for a deal. Showrooming. Walking away from what we think is a serious discount. Asking us to sell their old, worn-out, faded junk.
Comments?